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LOT 210:
Mario Sironi (Sassari, 1885 - Milano, 1961)
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Start price:
€
2,500
Buyer's Premium: 25%
More details
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Bust of a woman
Second half of the 1920s - 20th century
Technique:
Pencil on paper
Dimensions:
257 x 161 mm in frame cm. 69.7 x 52
The drawing is already stored with the number 163/17 RA on 18 July 2017.
Apocryphal signature "SIRONI" Bottom right probably by Matilde Fabbrini Sironi.
Work archived by the Association for the Patronage and Promotion of the Figure and the Work of Mario Sironi, Milan, under the number 163 / 17 RA. & nbsp;
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Provenance Brera Art Gallery Milan. 10/03/1965.
An art of synthesis and extreme simplification ", with these words Margherita Saffatti defined the artistic rigor expressed by Mario Sironi in 1916, years before his accession to the Republic of Salò and those values that, in the heart of the fall of the fascist regime, will come to unravel in the soul of the artist, with the consequent emergence of that sense of emptiness that permeates the works of the period. & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp;
The trace of the graphic container is immediate and results in a chiaroscuro attempt on the woman's profile, whose face is pervaded by an evident aura of melancholy.
ASORstudio
The drawing is already stored with the number 163/17 RA on 18 July 2017.
Apocryphal signature "SIRONI" Bottom right probably by Matilde Fabbrini Sironi.
Work archived by the Association for the Patronage and Promotion of the Figure and the Work of Mario Sironi, Milan, under the number 163 / 17 RA. & nbsp;
< / p>
Provenance Brera Art Gallery Milan. 10/03/1965.
An art of synthesis and extreme simplification ", with these words Margherita Saffatti defined the artistic rigor expressed by Mario Sironi in 1916, years before his accession to the Republic of Salò and those values that, in the heart of the fall of the fascist regime, will come to unravel in the soul of the artist, with the consequent emergence of that sense of emptiness that permeates the works of the period. & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp; & nbsp;
The trace of the graphic container is immediate and results in a chiaroscuro attempt on the woman's profile, whose face is pervaded by an evident aura of melancholy.
ASORstudio
